THURSDAY MAY 19, 2011 8PM
123 Astronaut E S Onizuka St. Suite 301, Los Angeles, CA 90012 | 213.620.0908
Maalouf was born into a family of intellectuals and artists. The son of trumpeter Nassim Maalouf and pianist Nada Maalouf, nephew of the writer Amin Maalouf and grandson of journalist, poet and musicologist Rushdi Maalouf. He is currently the only trumpet player in the world to play Arabic music with the trumpet in quarter tones, which his father invented in the 1960s.
Maalouf has also earned prizes in the major classical trumpet competitions in the world. In July 2010, he was awarded the Instrumental Revelation of the Year Victory Prize (Frank Ténot prize) at the “Victoires du Jazz” competition in Juan-Les-Pins.
Maalouf has never abandoned the Arabic trumpet. Although competitions take up a large measure of his time, he nevertheless continues to explore music from other angles, in particular improvisation and composition with Arabic music and Jazz. During his studies at the Paris CNSM, he followed jazz classes as assiduously as he did classical trumpet classes. His training in jazz is self-taught, derived from his experience with Big Bands and with different groups he has played with at different times. He often plays in Paris jazz clubs, frequently changing from one band to another in pursuit of the sound he is interested in. In 2000, Maalouf met producer Marc-Antoine Moreau, who introduced him to the cellist Vincent Segal. It was the beginning of a long and fruitful series of encounters. Amadou & Mariam, Matthieu Chedid, Lhasa de Sela, Angel Parra, Jeanne Cherhal, Arthur H, Marcel Khalifé…between 2000 and 2007, Ibrahim performed with many internationally famous singers and musicians, discovering the musical trade while exploring his own sound. His last great partnership was with his friend, the French singer Vincent Delerm, who asked him to accompany him on a promotion tour for his album Les Piqûres d’Araignées, a tour that ended in June 2007. In November 2008, Maalouf played in the opera « Welcome to the Voice » at the Chatelet Theater in Paris. Composed by Steve Nieve (Elvis Costello’s keyboardist) and directed by Muriel Teodori. On this occasion, Maalouf encountered on stage various artists including Elvis Costello, Sylvia Schwartz and Sting, who played the lead role in this performance. Sting asked him to play on one of the title songs of his October 2009 album. Maalouf then toured again with Vincent Delerm (January 2009) in a smaller formation where he derived a lot of pleasure from playing piano, wurlitzer, vibraphone, synthesizer, drums and trumpet, while finishing his 2nd album, planned for the Fall 2009.
Maalouf has composed music since he was very young. He presented his compositions for the first time in 1999. His first group « Farah » had a relatively strong Oriental Jazz flavor because he was accompanied by a saxophone, a ney (Middle-Eastern end-blown flute), a transverse flute, a piano, a double bass, a guitar, a buzuq (a long-necked fretted lute related to the Greek bouzouki) and Arabic percussions. A concert recording by this group was broadcast on several music channels between 2004 and 2005. The group did some studio tests, but never produced an album. In 2004, his encounter with Lhasa de Sela opened the doors of electro music to him. His collaboration with pop and rock singers made him discover other musical styles apart from jazz, classical music and Arabic music. Gradually, Ibrahim’s compositions began to reflect a more contemporary style. In 2006, after exploring many different musical paths, he met Alejandra Norambuena Skira (from the SACEM’s Action Fund), who introduced him to Jean-Louis Perrier. Jean-Louis helped him to form the band with whom he gave a concert on February 12, 2006 at the Paris New Morning Jazz Club. From that moment on, he became a recognized figure of the Paris Oriental Electro Jazz Scene. His music and his trumpet playing are strongly inspired by his Arabic culture, but the instruments around him (bass, electric guitar, drums, Arabic percussion and vibraphones) and the musicians with whom he performs give a more contemporary rock, electro and Jazz-Funk flavor to his music. His concerts are generally built around stimulating music that makes people want to get up and dance. But there is always a short, more contemplative, mystical interlude during his concerts, which he calls « a collective universal prayer ». Maalouf gets a lot of his inspiration from his culture of origin. This subject has been explored in the documentary « Souffle !» (Blow), directed by Christophe Trahand and produced by Cocottes Minutes between 2005 and 2006. Christophe Trahand followed Ibrahim for several months in pursuit of the key to his inspiration and to explore his relationship with his native country and the distance that separates him from it. This documentary was broadcast by TV5 MONDE and is available on DVD in the collection Docnet Films.
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“Rosenboom is a phenomenon…His speed and singing high notes are amazing. He is a cool customer onstage, but what comes out of the mouthpiece is red hot.” – Mark Swed – Los Angeles Times
“Spectacular trumpet soloing…mesmerizing…” – BLG – Downtown Music Gallery
“Daniel Rosenboom’s trumpet and electronics tour de force Evolution caputres all the gravity of ’70s prog rock with a dramatic flair of Freddy Mercury -proportions…Rosenboom goes for the jugular both rhythmically and melodically, running through time signatures like a box of Kleenex at an AA meeting.” – Randy Nordschow – New Music Box
Daniel Aaron Rosenboom is a creative trumpet artist, improviser, composer, and record producer who seeks break musical boundaries by fusing styles in new and inventive ways. By combining the sounds of creative improvised, contemporary classical music, rock, metal, hip-hop, jazz, experimental electronic, and traditional folk music from the Balkans, North India, and Middle East, he has created a brand of indefinable and hair-raising music. For his compositions, he has been recognized with grants and awards from ASCAP, the Yvar Mikhashoff Trust for New Music, the American Composers Forum, and the Meet the Composer foundation.
In 2006, Rosenboom released his debut solo CD, Bloodier, Mean Son, which features world-premiere recordings of new works for solo trumpet and electronics, on Nine Winds Records. In 2007, his gypsy-jazz-metal band, PLOTZ!, released their debut CD, Extraordinary Renditions, and in early 2008, his improvising experimental-jazz-metal band DR. MiNT released their debut album, Visions and Nightmares, on the pfMENTUM label. In early 2009, Rosenboom released his own Book of Riddles, as well as PLOTZ!’s Live 2008, and DR. MiNT’s A New Symphony on SNP Records. In 2009, Rosenboom was featured on his father’s album, How Much Better If Plymouth Rock Had Landed on the Pilgrims, both as a performer and co-producer. In 2010, PLOTZ! released their highly anticipated 3rd album, The Kid, and Rosenboom was featured on Vinny Golia’s Octet album, Low and Inside: Music for Baritone Saxophones, and in 2011 The Daniel Rosenboom Septet released its debut album Fallen Angeles, featuring Daniel’s original compositions on Nine Winds Records.
He has appeared as a soloist and collaborator on festivals and in recitals at the International Trumpet Guild’s annual conference, University of York, England, the Royal Scottish Academy of Music and Drama, the La Mama Theater in New York City, at REDCAT (Roy and Edna Disney CalArts Theater), the Walt Disney Concert Hall in Los Angeles, the Bimhuis in Amsterdam, California Institute of the Arts, the Eastman School of Music, the Hague Jazz Festival, the Midpoint Music Festival, Sounds Like Now: Interpretations at 15, the Aspen Music Festival, Music Academy of the West, the Chosen Vale and Lake Placid Trumpet Seminars, Idyllwild Arts and Interlochen Arts Academy. With orchestras and chamber ensembles, he has appeared on such stages as Walt Disney Concert Hall, the Berlin Philharmonie, Opera City in Tokyo, the Hollywood Bowl, and in music festivals all over the United States.
He plays regularly with The Daniel Rosenboom Septet, PLOTZ!, DR. MiNT, and the Vinny Golia Sextet, and is a member of the Industrial Jazz Group, Killsonic, Orkestar Mezé, Robby Marshall’s RootSystem, and GG’s Concert NineNet. As a free-lance artist in Los Angeles, he has recorded for and been heard on ABC, ESPN, BMG, Killer Tracks, Paramount, Poobah Records, Nine Winds Records, 105.1 KMZT, and has played with such groups as the Los Angeles Philharmonic, Rochester Philharmonic Orchestra, Syracuse Symphony Orchestra, Philharmonie der Nationen, the New Century Players, the Los Angeles Valley Master Chorale, the Asia America Symphony Association, the Peninsula, Westchester, and Carson Symphony Orchestras. Other projects and collaborations include the Heidi Duckler and Collage Dance Theatre, Wadada Leo Smith’s Silver Orchestra, Vinny Golia Large Ensemble, the Los Angeles Trumpet Quartet (with John Fumo, Jeff Kaiser, and Kris Tiner), VR with guitarist David Veslocki, Irmin Schmidt from CAN, the Grande Mothers of Invention, Kai Kurosawa, Brad Dutz, Harris Eisenstadt, Markus Stockhausen, Sandeep Bagwhati, Pavel Novak, Matt Mayhall, Antony DiGennaro, Björkestra, and many others.
Daniel studied at the Eastman School of Music with master pedagogue James Thompson for his Bachelor of Music Degree. He also holds a Master of Music degree from UCLA where he studied with international trumpet virtuoso, Jens Lindemann, and a Master of Fine Arts degree from the California Institute of the Arts where he studied with Edward Carroll, Vinny Golia, John Fumo, Wadada Leo Smith, Miroslav Tadic, and Larry Koonse. Other mentors have included Rosalina Sackstein, Roy Poper, Mark Gould, Markus Stockhausen, Thomas Sevens, Stephen Burns, and Gabrielle Cassone.