10.13.14 Empty Cage Quartet + VLATKO @ BlueWhale

Bluewhale + Cafemode present
OCTOBER 13, 2014  9pm – midnight
EMPTY CAGE QUARTET + VLATKO
123 Astronaut E S Onizuka St. Suite 301, Los Angeles, CA 90012 | 213.620.0908

empty cage + vlatko-flyer_600px

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


EMPTY CAGE QUARTET:

JASON MEARS  saxophone
KRIS TINER  trumpet
IVAN JOHNSON  bass
PAUL KIKUCHI  drums

VLATKO:
MICHAEL VLATKOVICH trombone / compositions
TOM MCNALLEY electric guitar
DOMENIC GENOVA  electric bass
JOHN “VATOS” HERNANDEZ  drums

set times: 9pm + 10:30pm

curated by Kio Griffith

$10 cover for both sets  |  21+

BLUEWHALE
123 Astronaut E S Onizuka St. Suite 301, Los Angeles, CA 90012

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MICHAEL VLATKOVICH

Michael Vlatkovich, trombonist, composer, and arranger, is one of the leading talents among Los Angeles improvisational players. Located on the West Coast since 1973, he is an emotionally charged performer, comfortable in a variety of jazz and world music styles. Vlatkovich has performed extensively in the United States, Canada, and Europe. His improvisionally free music expresses raw power and beauty in a minimally structured format. Michael tours extensively in the United States, Canada, and Europe.

In addition to leading his own diverse imaginative ensembles, Vlatkovich has performed with a wide array of singers and instrumentalists including Peggy Lee, Brian Setzer, Ricky Lee Jones, Solomon Burke, Medesky, Martin, and Wood, Boingo, Don Preston, Bobby Bradford, Gerry Hemingway, Vinny Golia, Andrew Cryrlle, Rob Blakeslee, Rich Halley, among many others. The trombonist has also performed on sound tracks for a variety of television and film projects including The Mask, Jingle All The Way, and the critically acclaimed John Cassavette’s film the Tempest.

Most recently the trombonist has been performing with his own ensembles, and co-leading Transvalue with poet Charles Britt. Vlatkovich is also a regular member of the Rich Halley 4 and the Bobby Bradford Motet.

http://www.vlatkovich.com/
TOM MCNALLEY

“With his guitar ablaze, McNalley turns fighter. He scores a knockout punch several times as he rips the air with ferocious streams of descant. Clear and crisp, the technique with which he excites the music carries a powerful message. With emotions bared and fingers flying, he sets fire to each extended piece and doesn’t let up…”
– Jim Santella, All About Jazz.
JOHN “VATOS” HERNANDEZ

Johnny “Vatos” Hernandez’s played in a variety of pit orchestras and backing acts, like Bob Hope, Billy Daniels and Gordon McCray. In the 1970s, he played with The Helen Reddy Band and served as the house drummer of “The Midnight Special” television show. There, he played with acts, such as Frankie Avalon, Petula Clark, Keith Carradine and Martin Mull. When Helen Reddy hosted “The Tonight Show With Johnny Carson,” Hernandez had the honor of sitting in with The Doc Severinsen Band. Playing the famous opening theme song was a lifelong thrill.

After having been heard, drumming with Toni Basil’s band by composer, Danny Elfman and his longtime orchestrator, Steve Bartek, Hernandez was hired as a session drummer on Elfman’s first film score, “The Forbidden Zone” (which continues to have a worldwide cult following). Hernandez joined the original lineup of the famous band, Oingo Boingo, a position he held for seventeen years, until their breakup in 1995. During that time, the band released eight albums, toured the world and played thousands of concerts.

After the breakup of Oingo Boingo, Hernandez joined the band, Tito and Tarantula and was featured in the Robert Rodriguez film, “From Dusk Till Dawn.” He had a rewarding time, touring Europe with Tito until 911, but at that point, he decided to return to Los Angeles to play jazz again.

http://www.johnnyvatos.com/

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EMPTY CAGE QUARTET

The Empty Cage Quartet has been consistently praised as one of the most powerful and original new jazz groups to emerge from the American West Coast. For nearly a decade they have explored new ways to integrate a diverse mix of musical influences, from traditional forms to contemporary experimental practices. The result is a continually evolving, multidimensional approach to jazz and new music performance, improvisational acuity, and compositional craft that Amazing Sounds Magazine has described as an “urban folk music of the future.”

http://emptycagequartet.com/

BlueWhale website

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